Writing

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Spoken Word

Spoken word is an art form of expression above all else conveying emotion and learning how to use metaphors to explain bigger meanings than what your own mind can comprehend. Let's focus our attention on what spoken word poetry is and how it makes us think or come up with conclusions to an idea we never thought would of been possible. How would you interpret the words you hear? What keeps you wanting to hear more of this artist work and how does the impact change your perspective? The spoken word is powerful and has many interpetations but depending on the individual.

  • Spoken word is beautiful, and a great way for one to express his or herself. Remember that it is always great to put yourself out there and share you work with a huge audience. I know it's a big step, but I am more than willing to put my work out there! I hope you are as well! – lasureamir 9 years ago
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  • Same! It certainly is a different experience compared to writing and publishing works in print. Performance poetry is so unique in that it creates a bond between performer and listener. It takes guts to perform, and creativity to comprehend. What is more, performance pieces are different from print as you can add new mediums to convey your thoughts (I.e. audio files and music) as well as words. – Megan Finsel 9 years ago
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The Modern Representation of Voice

Does everyone have a voice? What has changed over the last few hundred, or even thousands of years? How has voice moved from largely belonging to one person in a crowd of thirty orally, passed on through memory, to being more textual, communal, and from the young to the old?

This topic is meant to explore the path of "voice" from the past to the present and perhaps with speculations on the future, in terms of thoughts, opinions, etc. being heard – whether it be through writing, singing, or any other verbal form.

  • The thesis of course would have to be condensed quite a bit. Perhaps focus on a particular group (e.g. minorities) as depicted in a particular art. For example, one could trace the 'voice' of black Americans throughout the work of Spike Lee's film--tracing it chronologically through his work. – Cielesia 9 years ago
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  • That's a great suggestion Cielesia! Another one, going off of that, might be the juxtaposition of different groups, different times, and the cross-section of the two - for example: when groups started merging due to increased migration and technology – kathleensumpton 9 years ago
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  • I like where this is going. There is a lot to say on this topic. – DSantoyo 9 years ago
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  • This is so broad of a topic that I think you might get a little bogged down... One could easily write a dissertation on this and still not say everything there is to address! Are you looking to focus on rhetoric? Dialect? Performativity? I think maybe if the scope was narrowed... Could you focus this to a couple of television shows, maybe through some juxtaposition of the writers' voices, or how the characters are given voice? Or maybe the culture behind the voice and rhetoric that goes with fanfiction? Just some ideas of "narrowed" topics -- there are a *ton* of directions you could go, and pretty much all of them interesting. Best of luck! – rhettrichx 9 years ago
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What language to learn

I'm a beginner writer from The Philippines. I know English rather well. But not perfect. And I want to improve my English and learn some extra foreign. I think about French and Chinese. It will develop my mind and some creative abilities to writing. What do you think about this?

  • Really agreeing with Grace. Though I also think a lot of languages really revolve around learning culture as well, and "slang" in other cultures could be another point to discuss, if one was to really connect with a certain language. Just a thought. – James Smith 9 years ago
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  • Learning Mandarin Chinese has a lot of perks. It is one of the largest business languages in the world, second only to English, and opens a lot of doors. Second languages in general open doors, but I would suggest Chinese. Assuming you're from America, it has a monolingual culture, meaning that the majority of the natives grow up learning only one language. It is more commonplace in other countries to grow up bilingual. In some countries, you would actually be considered weird if you only spoke one language. – Qiao ChengHua 9 years ago
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  • Learning any romance language will be extremely helpful in being able to read and understand other romance languages. French is a good choice for a second language― especially if you're interested in improving your creative writing abilities. There is a lot of famous French literature. – zoetees 9 years ago
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Hardest part of writing a novel; starting, continuing or ending?

What do you find more difficult about writing a novel? Getting started, continuing the novel or ending it? This will be different from one person to another such as having trouble beginning if you can't think of a good starting point, are a perfectionist or have too many ideas to choose from. You might have trouble continuing if you can't imagine what's going to happen next, get a brand new idea that you want to pursue or don't know how the characters will get from point A to point B. Finally, after you have grown to love the characters and the world, do you have trouble wrapping it up in a satisfying way or letting go of everything you have worked so hard on? Give a commentary on what part of writing a novel you find the most difficult.

  • I would advise getting commentary from different people. I personally find the beginning to be the most difficult. If I have time, I might take this up... – SpectreWriter 9 years ago
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  • The endings to most novels are the least effective and usually the most artificial. Nineteenth-century novels remain the best models that overcome this deficiency. – JeffinAurora 9 years ago
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  • I always find it difficult to end a novel because I like to leave a little to the readers' imaginations, but struggle with also giving them a satisfactory ending. – Catherine Conte 9 years ago
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  • I think it's definitely the beginning. Personally, my endings are the first things that come to me and then the story is modeled to achieve that ending. The start of the story is what draws readers in. The goal is to hook the reader so that they'll want to invest in the story on a whole. The beginning is your story's sales pitch and it makes or breaks your story's reader appeal. At the moment, I have three story ideas with well thought out endings and plot twists, but not one of them have a beginning. If a story doesn't have a good opening, I won't have the drive to read it, so I want to ensure that my stories will appeal to someone like myself. Worst of all, I'm one of those perfectionists with major anxiety issues who procrastinate alot and spend way too much time on the internet (lol, tumblr reference.) I want to have a good intro, but I won't be interested in continuing a story if I don't like how I started it. And even if I'm somewhat satisfied with it, that does not guarantee that the reader majority will feel the same. Honestly, I think it's the pressure to write a good opening that makes writing it so hard. Really, all we need to do is just WRITE and let the plot flow naturally, rather than worry about the audience. If only I could silence the critics in my head, then maybe I'd have started at least one of my stories by now. – RLynch 9 years ago
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  • In my experience, it has always been easier for me to formulate a story whenever I have the ending already plotted out. It's sort of like a treasure map; You know where it will end, but the fun is creating the journey to get to the satisfying ending – Ricardoandstuff 9 years ago
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  • DEFINITELY the ending. For me, deciding on a compelling conclusion (and title) is the most challenging. – Alexis 9 years ago
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  • For me personally, I would say continuing. I have tons of good ideas of topics, and although the first few paragraphs or pages can be a struggle sometimes, more often they write themselves. The ending is perhaps the most natural part of this, though deciding when to end it can be annoying sometimes because you just want to write more. It's the middle, what's plausible and how it fits into my idea, the daily plog, that gets me. – nsiegel 9 years ago
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Does comic style inform film substance?

I'm researching a possible essay on how the artistic style of a comic can be ignored and/or incorporated into the films that adapt them. Mike Mignola's oppressive black palette set the perfect mood for Hellboy's Gothic horror mythos, but Guillermo del Toro couldn't use the same constant darkness on film because it would be unwatchable. Some adaptations aim to perfectly recreate the comic on screen, as with 300 and Sin City. On the other end of the spectrum, Road To Perdition's adaptation ignored the dirty/scratchy artwork of the comic in favor of Sam Mendes' bold colors and clean lines. Failed adaptations for the Surrogates and Whiteout show how losing the comic's artistic style sacrifices part of what made the idea worthy of adaptation. In superhero comics every artist has drawn every character, but for many graphic novels, the artistic style is inseparable from the story. Adaptation requires change, but comics are a symbiosis of art and words. Losing one is losing half.

  • I think this is a good idea. What I would do is highlight the movies that benefited from incorporating the same artistic style the original comic or graphic novel had. From there, I would point out any movies (if there are some) that didn't benefit from displaying the same artistic style of its comic counterpart. – RoderickP 9 years ago
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Sengoku era and its influence on Japanese Pop Culture

Sengoku era, or Warring State Period of Japan, was the period of chaos before the foundation of Edo Bakufu. The constant chaos led to the lack of official historical record(ones produced by government), occasional brutality, poor lives of peasants, and many tales of heroism at the same time. In fact, some of the historical figures from this period appear in Japanese pop culture occasionally, especially Oda Nobunaga, who was voted as the most popular historical figure by Japanese. Considering this massive influence on pop culture, it would be interesting to observe the major figures in this period of Japanese history and see how their influences still manifest.

  • One thing to maybe look at is the impact certain historical figures had during the Sengoku Era i.e. the battles they took part in, the significance of the battle, etc. For example, one could look at the Battle of Okehazama and how that battle cemented Nobunaga's legacy in Japan. – Xperimance 9 years ago
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What makes the good historical figure for historical fiction?

To be exact, what kind of historical figure attract writers and audiences' attention? There are plenty of historical figures out there with interesting life stories, but only portion make into history books, some into novels, and few into movies. What would be the standard? For example, has there been a movie about Alexander Graham Bell and his invention of telephone? If there was, how many were there and how recent were they? Compare that to the life of Napoleon, or Elizabeth I. It may seem apparent that war heroes make into movies more than others, but even then there seem to be striking differences in the attention they receive. This could lead to the study of what type of individual people consider to be "hero", and examine the psyche of the society.

  • Absolutely this examination could lead to an exploration of the "psyche of the society" on the whole - you could even explore the considerations of the individual and how it relates to that of society for this topic (and many others in general). As for what makes the standard of what sorts of historical figures we tend to utilize for historical fiction, I think that you're on the right track. I would consider examining the personal lives of several specific characters (Freddy Mercury, Abraham Lincoln, TE Lawrence etc) as well as their renowned accomplishments. For Mercury, how his personal life influenced his music and made him such an endearing figure. For Lincoln, how his politics were effected (I'd even explore why he was fictionalized into a vampire hunter, as that is completely incongruous with the widely known President). For Lawrence, how his exposure to a different culture affected his decisions and why we would be intrigued by this (perhaps from a desire to escape from our own realities). There's definitely more that you can do with this subject, I think it's going to be a fun one to think on! – 50caliburlexicon 9 years ago
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The World from our Telescope

In the growing sensation that emerged from technology, a question has poised an interesting observation of what has defined the "Modern World" versus what has become of the rest of it. Technology has become the basis of most lifestyles in some first-world countries, and certain perspectives have changed resulting from it. Though information is immediate and accessible, there is a conception born that a more refined, and civilized society is growing from it, while many view implications from it. The theme here directs the question of a contingency; has the world developed from closing distance with technology, or are there signs that it should suffer otherwise?