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Pokemon Go! is a revolutionary gaming app that has taken the world by storm. Many say the app is a positive influence on our lazy society; the app gets people outside and active, as well as encourages conversation and interaction between strangers. However, some say the craze is having a negative effect on communities with obsessed Pokemon Goers trespassing on property, getting hit by cars and even causing accidents while playing behind the wheel. Is this app truly a benefit to the gaming world or is it too much of a hindrance on everyone else?

With the recent events in the Civil War II – (untimely things) – let's talk about the evolution of the Hulk. Who the Hulk is and where he has come from. How his character has grown and at times not so grown. No one really talks about the Hulk in terms of how he grew up and how he arrived at where he was today. Specifically in the comics, since for one, the films never really were praised until Mark Ruffalo became the Hulk. I really think talking about the comics and his story arc and where he has come from in the series' would be so great to see!

More and more these days we see actors who started out young growing up into very troubled people. Lindsey Lohan, Shia LeBeouf, Amanda Bynes, Demi Lovato; they all have their share of craziness and major obstacles they've had to try to overcome. Is this pattern of child actors going bad related to their career starting out early? Is growing up in the film industry influencing the outcome of these actors' mental health and habits?

Civil War II??!? Want to focus on what Civil War II continues from the first one, what is different and what is the same. What should be and what should not be. We are having a lot of things derive from this Civil War series much like the first one – spin-offs, characters deaths, characters stepping down and so much more! What will this mean for the Marvel Universe? Did they create this Civil War in order to transition characters out and makes a storyline for new ones? Because it is starting to seem like that in some cases. What will this lead to for the MCU in regards to what's next for 2017 and even the end of 2016?

Examining the dynamics of Fusion in the world of Steven Universe and how it's flexible in multiple meanings by Sugar's creative world-building application of variety of "kinds" of fusion and its undertones.

The greatness that is Paper Girls and what this means for a really good comic series. What the plot does for future comics, what the characters do for future comics and how the future of Paper Girls is looking for comic readers. There is not much to say about the evolution of Paper Girls without spoiling it for whoever is writing it – but, there is so much to say about the characters and the plot, where it will go and where it is going now!

Iron Man is becoming a woman, but not just that – he is becoming an African-American woman at that! Well, Iron Man will no longer be Iron Man, but you get the drift here. How does this change the Marvel Universe? How does this change the way we will see diversity, she is incredibly smart and an African-American woman. Emphasis on that because it is rare to see that other than in A Girl and her Dinosaur and things of that sort. What will this bring to the comic series? Will you still be reading it to see what it will be like and what it will continue to bring to the Iron Man franchise?

Among the anticipated release of 'Harry Potter and the Cursed Child', readers were avid to know more about the Potter universe based 20 years after Voldemort's defeat. But did the playwrights do an accurate job of representing Harry in the script? Readers might see him as stony, uncompassionate and cold- not representative of Harry. Explore why Harry might come off as 'different' and whether this is a possible interpretation of how he might be in the years after he defeated Voldemort, as he attempts to create a 'normal' life for himself and his family.

I recently read an article in which a woman was complaining about constantly having to defend herself for listening to audiobooks. People would accuse her of being "lazy," or "cheating." Sadly, this said person had brain surgery 5 years ago that left her eye sight greatly diminished and reading had become a difficult process, and audiobooks her salvation. Where do you weigh in on this argument–just skim through the internet as those for and against audiobooks take great pride in stating their stance–and why is it even necessary to discuss one's "reading" habits? Is this a form of prejudice? Why should individuals feel the need to defend themselves? When did the format of reading–though it has been occurring on the e-reader versus paper platform for many years–become such a volatile topic?

There's great concern about video games influencing today's youth in becoming worse people. My questions are, what are the good games, and how do they teach good behavior and compassion?

Comic book villains are sometimes the best part of the story, but how their nature has changed over the course of the last seventy five years. Motivations have gone from simple robbery to world domination to personal vengeance. The methods have also changed; in the Golden Age it was trickery and minor property damage, today outright murder and mayhem are the order of the day.

Are there any contemporary writers who might live on in the Pantheon of greatness alongside the likes of Shakespeare, Tolstoy, Dickens, Dostoyevsky, etc.? If so, who are they? Explain why their greatness transcends time and place. If not, why not? Why doesn't their work transcend our time?

Pixar films are usually comprised of the 'traditional' family and have only recently started to uncover what an untraditional family is (Finding Dory). Dreamworks, however, managed to address this topic much earlier, such as in the Shrek Series (Donkey Dragon) or Kung Fu Panda (Po has both an adoptive and biological father in his life). Has Dreamworks surpassed Disney on animating the concept of modern family in their films? Explore the expectations of how Disney is supposed to portray a family and did these also apply to Dreamworks?

Regardless of one's personal opinions of film remakes, there's something rather culturally significant about making a new Ben-Hur in 2016. Since the release of the 1995 documentary, The Celluloid Closet, it has become well-known that Gore Vidal went into writing the screenplay for the 1959 film with the idea that Ben-Hur and Messala were former lovers ((link) which drove much of the subtextual conflict of the story. Though the audience of the day, via their substantially heteronormative attitudes and expectations, was predominantly unable to detect this secret inclusion, today it is viewed as a successful attempt at LGBT representation in the early days of film history.

Fast forward 57 years, to a time when society has progressed enough that homosexuality is no longer the social taboo that it once was and is not at all prohibited from cinematic representation. To remake a film like Ben-Hur at this time presents a world of possibilities, namely that the filmmakers are now able to present the homoerotic tension between these characters more explicitly and overtly than was allowed in 1959. However, based on the two trailers [the film has not yet been released at the time of my writing this], there appears to have been a conscious creative choice to make Ben-Hur and Messala adoptive brothers in this new rendering of the story. One might be inclined to speculate that this decision was made to exorcise the spirit of the story's homoerotic past, thereby using "brotherly love" in lieu of "ambiguously gay duo" to unburden their hard-core action movie with something that they believe to have "non-masculine" qualities.

Discuss the differences between the two films in this respect. How does it reflect views toward LGBT characters in the film industry, particularly in the action genre? What might it say about the shifting standards for what can be deemed as acceptable and unacceptable film content? Clearly something is a little socially retrograde if a movie in 1959 is able to do a better job of including gay characters than its 2016 counterpart. Might the remake's heightened religious emphasis have something to do with this? What other examples of recent films might exemplify this phenomenon? Furthermore, what value is there to remake certain films if not to better express aspects that can receive new meaning in our contemporary context?

For the past while, Jerry Seinfeld has become quite vocal about his disdain for political correctness in comedy. Independent of one's personal stance on this highly-contested issue, their is something strange about Seinfeld making himself a spokesman for this somewhat adversarial position, considering how tame his comedy has historically been in that respect. Discuss the nature of Seinfeld's seemingly unlikely position, what factors may have led him to it, and what influence he has had in the debate.

There is a variety of female characters within Game of Thrones, between the fierce, capable Arya, the strong noble Brienne, and the manipulative conspiring Cersei. There is a range of female characters, unlike I have seen in one show before. Examine some of these characters, and provide examples of how some of these roles help or hinder the complexities of women, and their roles on television.

The Night of is currently airing on HBO as an miniseries consisting of 8 parts, but due to the successful following there are now talks–similar to what happened with True Detective–to now having a 2nd season. The miniseries, which began talks in 2012, with the late James Gandolfini slated to star, is based on the BBC miniseries Criminal Justices (2008-2009). The series follows the events of a young american-pakistani's night out, and the repercussions that occur following the events of this night that, as conveyed to the audience, are a blur. Numerous themes are explored adding to the multitude of audiences responding to the series, ranging from racial prejudices, problems with the judicial system, economic hardships, and questions of morality as well as ethical responsibilities.What theme do you believe resonates most with audiences that is making this series such an overnight success? And if you are able to pinpoint one specific theme, please explain how it is able to resonate with a vast multitude of varying audience members.

This seems like a controversial issue in the wake of all the new Marvel/DC Comic movies. In light of all the talk over Suicide Squad, there seems to be a rising debate. Should film adaptations follow the characters and plot lines, or are the comics just inspiration for a blockbuster? Every time something Batman related in particular comes out, there is a storm of analysis and critique about the abidance to the original story in the comics, or the original TV shows. Perhaps they altered a character's personality, or the origins of the character's story. This is always met with vehement criticism. But why? Is there really any harm in being inspired by a character's story, and taking it and running with something new? Is it just glorified fan fiction then? Why or why not is it important to remember the comics in all of this? What are the pros and cons either way?

As far as we know, True Detective has received critical acclaims for its first season while the general reviews ponder the quality of the Season Two is far-distanced from that of Season One. Although the "scoring" gap between the first and second seasons is obvious, it cannot deny that the indication behind the Original Scores would add more colors to the cops' stories. The article would focus on examining the lyrics of some original scores (like Far From Every Road by The Handsome Family) and analyzing how the lyrics symbolize the story plot.

With the latest bunt in the cinematic superhero world, Suicide Squad, it has become clear that critics are collective tired of the ringtone narrative that nearly all superhero films cradle. Suicide Squad specifically, held the concept of 'fight fire with fire,' which obviously entails that things won't work out. Examine the failures of Suicide Squad as a whole and what it might take (if possible) to have another good superhero film like The Dark Knight.