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Analyse how television and the 24 hour news channels directly influence our bias of political candidates. Narrow down on Australian views of American politics.

The Gatewatch is a more recent development in the story of the Magic the Gathering Trading Card Game. It is an agreement held between five Planeswalkers, Gideon Jura, Jace Beleren, Chandra Nalaar, Nissa Revane, and Liliana Vess to "Keep Watch" over the menaces of the Multiverse. The grouping up of Magic's "Heroes" seems to be following the trend of many comic book narratives (and adaptations). By its nature, a full story told through occasional shorts and a combination of card art and flavour text is an atypical narrrative, but it might bring something new or refreshing to the game. What is the Magic universe doing – if anything – to set the Gatewatch apart from other Super-Groups and does it have to?

Scholars of literature have argued over Romanticism and Neo-Classicism as one happens to follow the other in writing movements, though the two are starkly different from each other. A huge shift in narrative expression, especially in poetry, is seen as written works shift from the garnished Neo-Classist to the emotional Romantic. Which style is truly more moving to the audience: The grandiose and otherworldly descriptions in Neo-Classicism, or the human and personal confession of Romanticism? Most would say Romanticism as it is easier to relate to for the audience. Rather than describe something as untouchable by all else and remove the audience from the piece (which is what Neo-Classicism tends to do), Romanticism brings the audience in and puts them in the poem or story with the speaker. An audience is more easily moved when they are emotionally and personally engaged.

Analyze the difference of how chick flicks portray women in the early 2000s vs how they portay women now. The focus will be on the relationships they are apart of and how they interact with men and other women.

The standard tense that most novels are written in appears to be past tense but more recently, especially in amateur writing like fanfiction, there is a shift towards writing in present tense. Why is it shifting?

Perhaps it is due to the immediacy and the ability to better characterize in the moment that lends itself well to the fast-paced, character-driven structure of fanfiction.

It would be interesting to look at this shift and see if it enhances the writing, if these stories tend to be more popular, and then perhaps compare fanfiction to its published counterpart. Is this same trend happening in novels? If so, why? Does it say anything about the current media-consuming generation's predilections and preferences in story telling?

In the first Bioshock game, a large number of characters have Jewish names (Dr. Steinman, Sander Cohen), are outright identified as Jewish (Andrew Ryan, Brigid Tenenbaum), or come from fields/careers with a strong Jewish population (Broadway, medicine). The creator of the Bioshock series, Ken Levine, is himself Jewish, and the game takes place only a few short years after World War 2. This causes me to wonder: for Levine, was this game, in part, an examination of post-WWII Jewish identity? Does it point out hardships or condemn/commend personal choices? The game's overarching theme, if nothing else, is that choices matter and are our ultimate freedom ("A man chooses, a slave obeys"). How is this theme connected with the strong Jewish characters throughout the game?

"It is the right of the strong to take from the weak." (Martin, 758)

The sociopolitical structure of the Dothraki people is governed by the strong, with tribal communities gravitating around warriors who have proven their greatness in battle. This is seen most evidently when Khal Drogo's khalasar is disbanded as soon as his strength begins to falter, prompting several of his strongest subordinates to name themselves new Khals to form new khalasars with whoever will follow. This ideology is the reason why none of the Dothraki had any respect for Viserys, who had no true strength of his own, but felt entitled to the Iron Throne by being a descendant of the old dynasty. Though the Targaryen reign was ushered in by the brute strength of Aegon the Conqueror and his dragons (a method of asserting one's right to rule much in line with this Dothraki system), the establishment of a monarchy after the victory changed the game (of thrones).
Discuss the differences between these two methods of governance. Which one might prove to be more effective for selecting leaders (both in Westeros and in the real world)? How does the Dothraki reverence for individuals with power reflect the Nietzschean view of the ubermensch? How might it mirror the real-life rises to power of autocratic leaders from Julius Caesar, to Napoleon Bonaparte, to Fidel Castro? In what ways might this need to respect the ruler illustrate a sort of precursor to our modern democracy?

From I Dream of Jeannie and Bewitched to Seinfeld and FRIENDS to How I Met Your Mother (among many, many others), the sitcom has its own history in television. It would be interesting to do a study on sitcoms, focusing on how sitcoms over the decades have also been shaped by the sociocultural underpinnings of that era.

A look into the way mentally ill characters are treated in their stories: why, in most cases, their depressions/anxiety is not discusses, why the idea of getting therapy is not more common in stories to normalize the idea that this is a healthy thing to do. Why mental illness is either romanticized unhealthily or completely disregarded? This would be an interesting thing to think about in YA lit.

From movies like "Air Force One" and "Independence Day" to the Tom Clancy movies to more modern productions like "The Kingsmen," show how the President of the United States has been shown in movies. How has the role of the President changed over time, and does it reflect the changes in the political climate at the time?

What was similar and what was different between the Suicide Squad comic and the film? What elements, including characters, from the comic could have made the movie better? What elements from the comic, including characters, would have made the movie worse?

Explore the trend of famous authors' first drafts and unfinished novels being published. Should authors publish these unfinished works? Or does it take away from the canon of their own literature?

Analyse whether the use of cliffhangers in popular television series and their seasons, such as Game of Thrones or The Walking Dead, is a shallow attempt to maintain returning viewers or if it is an effective plot device.

The Mass Effect series was first released in 2007. The first two games in the series received critical acclaim and were considered to be a new standard for video-game story telling. While the third game in the series was mostly well-received, its ending was not. Many fans felt deceived by an ending that felt inconsequential. It left many fans so upset that they complained to the FTC, and formed an internet campaign called "Retake Mass Effect" that generated $80,000 in a couple weeks. Bioware also released a new ending that expanded the epilogue.

Regardless, these events affected the series negatively.The next game in the series, Mass Effect Andromeda, will exist in the same universe as the previous games, but will not reference them. The game will be open world, already has gorgeous graphics, and will continue to use dialogue trees, choices, and romantic relationships. What does the series' next chapter need to do to repair the negativity created by the ending? Will being "open world" massively improve the series? What should be added to the series? From what has been revealed so far, do you think that Mass Effect Andromeda will be better than its predecessors? Why?

Since the film has been made and a trailer (maybe more than one) has been released as well – let's give some background to comic readers who may not know about WW. Explain Wonder Woman's relationship with herself, the Justice League, and how she came to be who she is today. Also, tieing in the new comic series she has had and seeing where the movie could potentially take from that instead of taking from the older versions of Wonder Woman.

9/11 was the most devastating terror attack on American soil, and consequently its repercussions are still felt 15 years later. Examine how 9/11 influenced American media, in both the immediate aftermath and more long-term reflections. Don't focus just on films and TV shows about 9/11, but look more at how it informed film aesthetics, story-lines, and how we depict terrorism and political issues in film and television (e.g., how depictions of destruction changed in the advent of 9/11, analyzing the 9/11-like imagery of films such as Spielberg's War of the Worlds, and the DC Cinematic Universe). Focus on specific themes these films tackle in the wake of 9/11, such as PTSD, fear of the unknown threat, and, again, the proper response to terrorism.

An in-depth look at the far reaching effects of the newly released mobile AR game, factoring in the sociological implications of a game that requires people to explore the world and interact with each other, the benefits and dangers of said interactions, and the lasting power of nostalgia.

Popular animes Attack on Titan (Shingeki no Kyojin) and Full Metal Alchemist take place in settings reminiscent of WWII-era Germany, with characters sporting German names and wearing German-inspired costume. From a Western perspective, what can we tell about how the Japanese view their Axis counterparts (or themselves) in regards to the WWII-era through the stories told in these animes?

I've witnessed a lot of Internet arguments and debates in my day, but one hotly contested topic I've never understood is the admiration and isolation of Hoosiers. If you say anything remotely negative about it, people jump down your throat faster than you can say "triangle offense." My question is why? To me, Hoosiers is boring, Gene Hackman's character isn't even remotely likeable, the team's players are garbage both dimensionally and hoops-wise (minus Jimmy Chitwood, I guess), and it doesn't even focus on the more compelling team: South Bend. Analyze why Hoosiers still stands the test of time for so many people, and why it should still be considered required viewing for sports fans.

Which movie or movies show(s) the most realistic human aging? What makes the portrayal of the aging process especially realistic or effective? Besides physical changes, what psychological, mental, or spiritual changes are shown in the film(s)? What, if any, abilities lost with youth are most dearly missed?