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Determine whether the Final Fantasy series can return to prominence. With the new chapter "Final fantasy 15" expected to be released in September this year. Final Fantasy 15 was originally called Versus 13. There have been internal disputes within Square Enix, causing the game to be delayed for years.

Final Fantasy 15 is a completely different game than Versus 13 was. However, while the demo was generally well received, many fans have decried the simple and often uninteresting story. There are also complaints regarding the change in combat. The game will also be "open world." Does this help? What must FF15 do to continue the series success?

The international art market functions based on the premise that prized works in western art history will continue appearing. But there is a limited number of pieces that can bring six-figure commissions to auctioneers and experts, particularly when contemporary works, and art from post-colonial nations, are generally ignored. This situation encourages forgers like Beltracchi, who said in the documentary The Art of Forgery, that the higher the price of the artwork, the less scrutiny from dealers.

In this context, can the forgery of artworks be interpreted as a revolutionary action that challenges the status quo of the international art market? Are these forged paintings still art?

Discuss both the positives and the negatives of BBC's show Merlin, and consider why the show was cancelled after its previously successful seasons. Debate the reasoning behind ending the show the way it did, and the fans reactions to said ending. Hypothesize what benefits or negatives could have come out of continuing the show, both in terms of viewers and the BBC itself.

One of the biggest stories surrounding the YouTube community as of late is the lawsuit against YouTubers Ethan and Hila Klein of h3h3 productions by fellow YouTuber MattHossZone for a reaction video that he deemed unflattering. Even though almost every other major internet personality has rallied around Ethan and Hila, with a GoFundMe started by Philip DeFranco gaining well over $150k, they are going to still court and will need to fight for Fair Use in front of a jury. Should people be able to use copyright claims to take down unflattering videos? Has Fair Use become too vague to be used as a defense? Is there something YouTube can do as the leader in online video content to combat this?

Humorous jab aside, I recently read an article here about the appeal of Friends to a younger generation of Netflix users. While the platform itself eases the process of binge-watching, what do we think about the notion of diversity which is presented here? This isn't a desire to recast Friends using actresses and actors of colour. Rather, it's a meditation on what exactly these six white characters offer that elicits such interest and intimate connection. Is it because they're the same on the outside but diverse on the inside? Is there a philosophy of entertainment which trumps race to viewers of Friends, or do are the characters themselves constituent to a desire for "emotions" transcending narratives of culture, ethnicity, and race (each of these ideally intersecting, rather than divorced from, class)?

Edit: Munjeera brought up a good point about the diversity of the cast members themselves, and the ways in which some character in the show attempted to maintain an authenticity to themselves (specifically the "Holiday Armadillo" episode). The point about love is something really important to consider too: love of others, love of self, love of life as is, and as it could be.

Musing aside, I what I was hoping to convey is why these individuals in particular seem to transcend Netflix user social borders marked by culture, ethnicity, and race. And, perhaps more importantly, is this the standard which must be met when creating a narrative of love and friendship? What does Friends make self-evident and what does it silence?

The rights for Namor the Submariner has officially reverted back to Marvel Studios. With every character in the current MCU adding a certain physical and emotional aspect to the Avengers' dynamic, what would Namor's contribution be? Could his aquatic setting provide a similar contrast as Thor's Asgard?

Analyze how the narrative, or lack thereof, works for the videogame Journey (2102). If traditional storytelling is not applied (such as the use of a narrator or text during the game), then how does the game use alternative narration techniques that make the story memorable and enjoyable?

While wildly popular with fans, Sword Art Online has many problematic instances of perpetuating gender stereotypes through the anime. The male gaze is very prevalent throughout the series whether it is consciously acknowledged or not–the camera lingers on women's anatomy unnecessarily, even in serious conversations between characters (think Sinon's and Kirito's episode in the cave where they are talking about serious issues and the camera focuses on Sinon's posterior even though she is talking). The anime also appeals to the "harem-genre" where every single female character becomes infatuated with Kazuto/Kirito.

Young women in the series, while considered strong like Asada/Sinon or Asuna, ultimately fall into negative female stereotypes. Even though the young women reach out to those around them, and do have agency, however they depend heavily on Kazuto/Kirito to come to their rescue. While both young women seek out their own rescue, they are ultimately powerless unless Kirito is there to rescue them.

With their series having ended a little over a year ago, can we make anything out of looking back at it? Perhaps something about the pressure of standing out as a 1-3 minute sketch comedy show on a Youtube more and more dominated by let's plays and long videos? The show ran for 8 years – has it had a cultural impact? I'm not sure, but it seems worth discussion, at least.

Analyze the impact of family channel shows such as Jessie, Victorious, Girl meets World (just to name a few) on the attitude and behaviour of pre-teen girls. For example, "Jessie" shows a young girl Jessie the nanny, who is always dressed impeccably is made fun of by her charges. It always makes me uneasy about the message it sends to young girls. Is her dress not good enough? Why is her clothing a topic of discussion for the children in her care? Is putting down the nanny appropriate? Analyze the way pre-teens and teens idealize the stars of the shows and emulate the way they dress and act.

Analyze the cause and effect of the representation of weed in popular media. Lately, smoking pot has been shown as a normal part of youth's life. Is that normal? Do everyone, at one point in their life, smoke pot? Or the media the cause of that increase? While more countries are trying, or at least talking about, legalizing the usage of medical marijuana, is the media making the distinction difficult? How are people, especially the youth, supposed to learn that pot is bad for them, if the media makes it look normal?
For example, shows such as Weeds and That 70s Show have no qualm in showing young people smoking pot. Other numerous shows (Parenthood, Roseanne, Gilmore Girls, and Friends just to name a few (there are many)) all have an episodes where the adults find/or acquire pot and reminisce about the times they smoked when they were young.

Youtube has become a place of community for a wide range of individuals with a multitude of interests that include but are not limited too gaming, nutrition, lifestyle, fashion etc. Many of these video makers have been able to make a career out of their videos, and many viewers are eager now ore than ever to start their own channels. What is the main appeal? Is it the lifestyle? The gratification of subscribers? The seemilngly easy job that stemmed from a hobby? Decide and discuss while including the negative attributes.

Discuss sci-fi's use of technology to build "the perfect woman." Why are androids given a gender in the first place? Do androids have a sense of autonomy or are they content to be used as a semi-sentient sex toy? Is this a fetish or a case of misogyny? Why are male androids in film rarely given the same sexualized treatment?

Milton was without a doubt a powerful writer and exceptional poet. One of his most famous works, PARADISE LOST, is not just a biblical retelling of the fall of man, but a work in which Milton rewrites Genesis. William Blake was so disgusted by Milton's portrayal of God as inferior and Satan as superior that he referred to Milton as a Satanist. Yet, aptly stated by Stanley Fish, Milton does so to seduce the reader with Satan's tantalizing language in a manner that places the reader in the role of Eve. Milton first emphasizes the prelapsarian world where temporality is non-existent, to after the fall, in which Adam and Eve now exist in a postlapsarian world in which Adam and Eve begin to notice one another in a sexual manner, realize their being nude, and experience feelings of embarrassment and shame. Does Milton glorify Satan and place God in an inferior position, or is he simply utilizing the poem to showcase the ease in which one slips into sin, and the eventual redemption that will occur with the saving grace of the ultimate sacrifice of Jesus' death to save mankind? Is this a work mocking the Fall of man, or one that upholds and restores the power of faith?

The epistolary form has long been a way for the young adult narrator to communicate to the audience. It sets up an interesting dynamic between writer and reader and makes the narrators voice more authentic. At the same time it helps mask the irony that occurs when an adult author speaks in the voice of a teenager, ultimately setting up a power dynamic. Does epistolary help or hurt the way the reader perceives a text and its meanings?

Most anime have heavy plot and drama to keep the show going. This season, "Sakamoto desu ga?" is an interesting example of an anime where not only is there little relation between episodes, but episodes are even split into separate short stories. Is this a bad thing? What kind of successful anime in the past have been less plot-centred, if any?

What would happen if Light Yagami from "Death note" wrote Saitama's name in the Death Note? In addition, what would happen when other aspects of different anime's worlds combined and clashed with one another. for example, if Edward Elric attempted alchemy on Tōma Kamijō's right hand? In essence, when key elements from different story lines meet, which one takes dominance? Saitama's (for all intents and purposes) invincibility or the absolute inescapable death provided by the Shinigami's death note?

From "Is it Wrong to Pick up Girls in a Dungeon?" to "Campione!" and the famous "fate/" series. There have been various anime that have drawn inspiration from ancient mythologies from around the world. To what extent has ancient mythologies, specifically non-Japanese ones, influenced the production of various anime and manga? Out of the thousands of anime and manga out there, how many have taken influence from these stories. There have even been common rehashings of creatures from legends remade into broad categories or representations of creatures. The first of which comes to mind is the use of "Chimera" to describe various hybrid creatures across shows and very notably in the Fullmetal Alchemist" manga and anime. Exactly how much has modern storytelling taken from stories of millennium past?

Stories are what shape our reality–both on a personal and a widespread cultural scale. They directly affect how we understand everything, from everyday occurrences to the larger questions in life. Stories also play a large role in the world religions through both oral and written types of scripture, including myths, historical accounts, poetry, letters, etc. The novel Life of Pi reflects on the impact of stories in relation to religion and history. Examine questions of "truth" and "scientific fact" in contrast to "myth" and "spirituality" and how these themes are presented in both the novel and the movie. Also analyze the apparent human need for fantastical stories as presented in the movie–does this imply that religion is simply a way for humans to cope with the difficult events of life? Or does it have a larger implication, such as that "truth" or "fact" in life is not always tangible, and does not always have the importance we place upon it? There are many philosophical questions that can be explored regarding stories and reality in Life of Pi, and this topic is certainly open to suggestions!

The quest for the Iron Throne is what has brought Westeros into its current mess. What needs to be done in order to bring unity back into Westeros, politically? What about the current governmental structure isn't working? Does there need to be a shift in how Westeros is governed? How did it all work before? Based on how the TV show is going, what type of government is needed and what kind of leader? And who best fits that mold? I always thought it might be better if Westeros was divided and governed by their respective divisions. Ex: The North would be a sovereign nation and governed by the head house of the North, and so on. But would this sort of system work? Could it work, and how so?