Analyze the ideology behind attempting to capitalize on nostalgia and how it has effected the film industry. This includes remakes, Quentin Tarantino, and the B-list aesthetic.
This is absolutely everywhere, and is a super broad, big idea in my opinion--a really good one!--but definitely too big to effectively analyze in one article. A more narrow focus (like remakes, Tarantino, B-aesthetic, etc.) following a broad intro to the overall topic might be more successful and ultimately more exciting/enjoyable to read. For sure a pervasive part of the zeitgeist that many people would be interested in and probably benefit from, haha. – skohan8 years ago
I think this would be a great and interesting article. I have definitely noticed how modern culture has adopted a love for old things. It's very fashionable to wear certain things that clearly have a relation to old-fashioned styles. Music also has been taking a lot of older styles and bringing them to the surface again. It would be cool to discuss the influence on music and clothing, not just film. But those could be separate articles, even, because you could go into great detail about each thing. – Wordmaster8 years ago
I would say that the capitalization on nostalgia is due to a longing for the "good old days". I feel that a majority of the population sees the world as a hectic, overwhelming place, while the "old days" were a much simpler time. The next generation always falls short of the previous generation's expectations, and the next generation always longs for the perceived simplicity of the previous generation. It is a very circular view. I believe the use of this in film is simply an attempt to relate with this nostalgia. – DKdaVinci6158 years ago
The film movement New Queer Cinema was meant to describe independent films of the 1990s that helped bring queer narratives to the screen. This article would review the history, importance, and films of the movement.
With great, iconic musicals like Grease in the late 1970s, would it be possible to create such a hit musical now? How would modern music like house music be incorporated into such a film? What do you think a modern musical would look like?
Hamilton by Lin Manuel Miranda just won a ton of Tony awards and it features hip hop and rap. House Music might be a little different since it doesn't often feature lyrics and musical theater is dependent on words by definition - but I would like to see if someone argue the house music could become material for a musical... – Kevin8 years ago
I think now with the remake of Rocky Horror Picture Show, as well as the huge success of Hamilton, musicals definitely have been revived and have become hits. I think now musicals speak to a specific genre or time period in order to be successful, their flavor is specific as well as culturally relevant. Even High School Musical created such unproar! I think if done correctly, marketed correctly, and the scoring was impeccable the musical would definitely be adopted by large demographics. – amirnaveh8 years ago
With live-action versions of Cinderella, Maleficent, Alice in Wonderland, The Lion King, etc., it seems that every animated Disney film is likely to be re-imagined. Discuss why filmmakers are drawn to recreate these classics and the consequences. Have the most recent Disney animations, such as Moana, been influenced by the sudden live-action interest?
Don't forget to talk about Beauty and the Beast! – albee8 years ago
Also The Jungle Book and how this particular reimagining may be superior to the original film. – DallasLash178 years ago
Maybe one of the reasons is that they needed more original ideas and they thought the concept was good enough to keep the economy going. – RadosianStar8 years ago
The movie might be over a decade old, but the ending, while completely amazing, is also controversial. Some are confident that Verbal Kint was Keyser Söze, while others are convinced it was actually Keaton and that he never died at all. There are others who say that we never even got to see the real Keyser Söse. My question is, what do you guys think and can you back up your theory?
It's been too long since I've seen it, so forgive this comment if it's ignorant or inaccurate, but I kind of remember the end being a pretty unambiguous about the reveal that Verbal was Söze. Was that not the case? Did I miss something, or was that not the whole point of the big twist? – ProtoCanon8 years ago
Most movies about fraternities and sororities seem to want to convince us that they're either full of slobbering-drunk, pain-inflicting "students" (because they never seem to do homework or care about class) or clones forced to fit a certain mold. Why might this be? Are these accurate depictions of Greek life or not?
Also another interesting dimension could be how these types of movies influence collegiate Greek life in America as well. – Kevin8 years ago
I feel this is a very stereotypical viewpoint most have about Greek life. What movies don't mention is how some Greek organizations are solely academic/educational and are helpful for students looking for jobs post-graduation. Movies also forget to mention that a lot of Greek organizations give back to the community, volunteer, and do lots of fundraisers. I feel like most depictions of Greek life are inaccurate. This is a great topic to write about. – Marina8 years ago
I think this is an interesting topic to explore since only a small percentage of the populations has an association to these collegiate organizations, but their impact is felt throughout society. The common connotations around Greek life entail a certain understanding of an undergraduate college career whereas there are more aspects to consider, such as the culture of the institution of student demographics. In addition to this, the study of multicultural Greek life is also an aspect of these organizations that hasn't been fully explored. These type of organizations are also part of college campuses and create impact and positive contributions to their campus in different ways. – Adriana5 years ago
Analyze the media's excessive purging of sequels to the public. Are sequels more or less becoming strictly a financial gain, as opposed to continuing a beloved story to audiences that is worth value? Why is it that sequels are generally deemed disappointing?
Another thing to consider would be "reboots" of certain films. For instance the Spiderman movies (how many origin stories does he have at this point?). Other interesting areas would be Disney's insane sequealing habits vs. Pixar (who has a substantially small amount of sequels with Toy Story being the only one with such a high amount of them). Do these films need the sequels? Nonetheless something I would like to see in this topic/article is a compare and contrast. Have their been successful sequels? Why so? – Mela8 years ago
I totally think that sequels are a financial gain, a story line could truly come off as brilliant and beyond great. However once it ends that should be it, but I suppose instead of making a total different story line and different characters it's somewhat easier and cost efficient to use that same story line, revamp it and drag it on a little bit more. Besides, from a writers stand point it is easier to use the same characters that the audience has already known and gotten to love. – Karolyn118 years ago
I agree with the "reboots" comment. The obvious example is Harry Potter, both Cursed Child and Fantastic Beasts. I'm a huge Harry Potter fan, but I'm really not sure whether to be happy about the spin-offs. But I'm still paying to see/read them! Maybe you could go into that - the extent to which potentially bad sequels to a good movie still can make a profit. – jonese198 years ago
After watching Miss Peregrine's Home for Peculiar Children, a big part of the movie centered on this safe space for these extraordinary children to live in peace. How do spaces like these Loops come about in our own society? Are they still part of society when they are in these safe spaces?
Interesting topic, but it might be stronger for whoever chooses to write it to focus on a variety of literary and/or filmic texts for inquiry, rather than this vague question about "our own society" with one text as its jumping-off point. In inverse approach may prove to be more effective, perhaps looking at Miss Peregrine's Home, as well as Hogwarts, Xavier's School for Gifted Youngsters, Narnia, Terabithia, even Mr. Magorium's Wonder Emporium, and any number of other examples, which can then be followed by a coda about "our own society" as a real-world application of the fantastical motif. I'd also recommend including some examples in which spaces that were initially perceived as safe prove to be quite the opposite upon further scrutiny (such as Lord of the Flies and Coraline). – ProtoCanon8 years ago
