I have an interest in literature, film, and television.
Junior Contributor II
Cormac McCarthy’s The Road: Death, Love, and a Dying Earth | |
I’m glad you enjoyed it. Thanks for all the feedback by the way. | The Bard of Springfield: An Analysis of Four Shakespearean References in The Simpsons |
The Golden Era of the show was in season 2-8. | The Bard of Springfield: An Analysis of Four Shakespearean References in The Simpsons |
Great idea. I’m a teacher too, and I found a lot of success showing The Simpsons when I taught A Street Car Named Desire. The students felt good about getting the references to the text and understanding why they were funny. The show does a parody of MacBeth too – I’m kicking myself for not including it in my article. | The Bard of Springfield: An Analysis of Four Shakespearean References in The Simpsons |
Thanks for reading. Yeah, the episodes where the writers employ “Tales from…” are always interesting. While they aren’t as well known as the Treehouse of Horror episodes, they always offer a good satire of something historical or cultural. | The Bard of Springfield: An Analysis of Four Shakespearean References in The Simpsons |
Thanks for reading. It would be interesting to see what other shows, such as Family Guy or American Dad have in the way of Shakespearean references. | The Bard of Springfield: An Analysis of Four Shakespearean References in The Simpsons |
Great article. If you haven’t already I would suggest watching the original BBC Office with Ricky Gervais. | The Mockumentary Sitcom: A Closer Look at Form |
In your second paragraph you talked about one important aspect of the success of Bob’s Burgers being its ‘warmth, and a family unit that thrives on mutual love for one another’. I agree with you entirely. It reminds me of the golden age of the Simpsons. I think that Bob’s is tapping into the magic that made that era so successful. Great article. | The Significance of Tina to Bob's Burgers |
Firstly, thanks for the thoughtful comment. I don’t agree with ‘easily the worst’, but that’s an obvious from me, I guess. But the reason is I don’t think The Road is like his other work in terms of form as it is very accessible and relatable to a general audience. It’s a novella with a simple narrative and a unfulfilling and cliche ending, sure, but the language, the construction of setting/ sense of place, creation of tension at times, the allegorical elements, the measured brutality, the ending… Oh wait, thatt stinks.
I really love what you said about McCarthy’s ability to stare into he chaos. That’s superb.
I always suggest ‘All the Pretty Horses’ to people who have read ‘The Road’ because it is an amazing novel but very different to The Road.