An analysis of how stand-up comedy bits deemed "offensive" by many can have positive and progressive effects on society. This could include humor as a method for minorities to gain acceptance, easing tensions between conflicting groups, and necessary questioning of social norms. Distinctions should also be made over helpful, value neutral, or harmful humor. For example, George Carlin's 7 words bit or any number of Dave Chappelle's bits on race as opposed to Michael Richard's racist rant at the Laugh Factory or numerous bits done by Bernard Manning.
Russell Peters is another example of this type of humor but he has always stated that he is challenging stereotypes. – Munjeera8 years ago
I have seen so much art purely because it was the "thing to do." The Mona Lisa in Paris, the Astronomical Clock in Prague, the Liberty Bell in Pennsylvania and the list goes on. There are so many objects that have hype from millions of witnesses, that severely under deliver in reality. Yes, the history, the groundbreaking advances made in their relative time periods and the new technologies may be truly amazing; but in the context of 2016, there are expectations that remain unmet. Do we appreciate these types of art for their inherent value and significance, or are we motivated by taking a selfie and tagging our photo so our friends know we went somewhere famous? Do we travel to the Louvre, to be captivated by the the Mona Lisa, and marvel at the gentle application of brush strokes, or is it just a good story to tell grandma when we get home?
What would be the contrast to this? Are there any works of art that over deliver that aren't hyped by tourism? Or could the disappointment come from overly high expectations due to the stories of their cultural significance? – Kevin8 years ago
Here in NYC, MoMA is home to Van Gogh's Starry Night. The fifth floor of the museum is always crowded with tourists wanting a selfie with this painting. If you ask many art patrons they will NOT consider Starry Night to be one of their favorites in the museum's collection. However the image is so omnipresent and "famous" that the gallery becomes a site for a photo op rather than contemplation of the artwork. Something worth noting in reference to Kevin's point is there is actually a second Starry Night (Over the Rhone). This painting at Musée d'Orsay in Paris does not garner the same fanfare as the version at MoMA. – Anthony8 years ago
As Korean pop music continues to grow in popularity and exposure around the world, it has faced quite the backlash from international communities. One of the criticisms of the genre focuses on the quite often blatant cultural appropriation that occurs. Music videos often feature clothing from a specific culture, which are donned to emulate stereotypes of that culture. This is often seen when Kpop groups attempt to do a music video full of "swag" or to emulate black culture, and imitate what they see in American hip-hop/rap culture. However, we can't expect them to change over night. Korea itself is an extremely homogenous culture, where people are rarely exposed to cultures in their own daily lives. Due to this, it's incredibly difficult for them to even comprehend the idea of cultural appropriation. Other than their culture, what other obstacles stand in the way of preventing culture appropriation in Korean Popular products? Are there ways to solve it?
I think the whole appropriation thing can go a bit overboard. It’s one thing to borrow from another culture in order to stereotype, mock, or degrade it in some way. It’s another thing to borrow from another culture in order to appreciate or celebrate it. If “cultural appropriation” is simply about borrowing from a culture that isn’t our own, then we’re all guilty. Culture isn’t something that can be owned by anyone and nothing is original or exists without any outside influence. As far as South Korean media goes, it has definitely had issues with the use of blackface in the past. That’s definitely a problem. As you mention, it is a mostly homogeneous culture, meaning blatant racism is more likely to occur. It’s a serious issue worth remedying. However, if a K-pop artist likes hip hop simply because he or she likes hip hop and is respectful about it, what’s the problem with that? – aprosaicpintofpisces8 years ago
Hey, thanks for your note! I see where you're coming from! Especially with the advent of technology and the globalization that comes with it, it's hard to define culture as a single stagnant thing. In fact, culture should be spread and shared. But I think in regards to this, it's how they do so. To a lot of the many members of the K-pop community, Hip-Hop is view more as an artistic style of expression and an aesthetic. And so their products show this, by reflecting the use of that culture through the use of the culture as costumes and props. There is a general lack of awareness and overall it skirts a very dangerous line because you'll find kpop artists who drop the n-word, without ever realizing that they are skirting a very dynamic and often dangerously racist topic. It's more of an ignorance issue more than anything else. – eugeneleec8 years ago
You're welcome. Yeah, I definitely agree. It can be a case by case situation. Whether it's the use of blackface or the "n" word or whatever else, there can be a lot of ignorance about what's considered offensive. I just think it's important to distinguish between what's genuine racism and what isn't. – aprosaicpintofpisces8 years ago
I don't understand Korea nearly as well as I would like to. This is probably a pretty common problem in the west. We're familiar with Japan, and maybe China a little bit, but not much awareness of Korea as a nation or culture. I'd like to see this topic start out with some case studies or examples of what is and isn't actually Korean, just to get a sense of it. – albee8 years ago
Besides the homogenous culture, Koreans aren't ignorant. They have wide access to social media, and they do know what's going on in terms of racism and cultural appropriation. There was a user who published this article: http://ohnotheydidnt.livejournal.com/66971666.html. After the aforementioned article went viral, Koreans did respond to it on their own forums and message boards. It's not ingrained in their culture for Koreans to be ignorant. Some obstacles: Western media does the same thing. So why do some people think Korean pop culture isn't going to be affected by this? Another obstacle is that, even though many kpop fans refuse to accept it, kpop is a rehash of American hiphop/R&B. – seouljustice8 years ago
In Reference to Stacy Wolf author of "Changed for Good,"in the late 1960's-1970's- a political movement for women's liberation was at stake. Women fought and gained legal, social, and cultural rights. In fact, John F. Kennedy in 1961 came up with the President's Commission on women studying women's role, gender differences, equality, and equal pay.
Good topic! You should also compare women of that time to women of today or of an earlier period. Are you taking a stand with women of the 60's and 70's or just informing us about it ? And you should also include why women acting/were treating a certain way during this time. That would be pretty cool. – myeshae238 years ago
There are many reflections of the changing times in the arts in the 1960s. I suggest narrowing it down, for whoever picks this up. – Christen Mandracchia8 years ago
Revision
In the late 1960’s-1970’s- a political movement for women’s liberation was at stake. The image of a women in television has ever changed since the 1960's; for example women were portrayed as being housewives and mothers upbringing children; cleaning and cooking. Women fought and gained legal, social, and cultural rights. In fact, John F. Kennedy in 1961 came up with the President’s Commission on women studying women’s role, gender differences, equality, and equal pay. – hwm52118 years ago
In the art world the "sublime" is the quality of greatness beyond calculation. The difference between feeling emotions about a piece of art and having a sense of sublimity is that for something to be sublime you must be able to remove yourself from the situation, step back, and mentally assess what and why you are feeling certain emotions. Is the feeling of sublimity still relevant in today's art? Are there certain components of society that might heighten or dull someone's sense of sublimity?
Absolute music (music without lyrics) is a wholly non-representational art and thus is a form of pure sonic aestheticism. Perhaps that is sublime? – Brandon T. Gass8 years ago
Must the sublime be considered only as a "sense" or "feeling"? Why no sublime-in-itself? – albee8 years ago
Yes. But I think this discussion of the sublime needs more context. This is a great starting point: http://plato.stanford.edu/entries/kant-aesthetics/#2.7 – arianalayla8 years ago
Elvis Aaron Presley was an amazing talent in his own right. He took the black sound of the South, which he grew up listening to and singing in Church and made it his own. Elvis was working as a truck driver and went to Sun Studios in Memphis and cut a record for his mother's birthday. Sam Phillips liked Elvis' sound and wanted him to cut more records and Elvis got airtime. Colonel Tom Parker became his business agent and marketer. The Colonel was amazing at his job, although Elvis suffered greatly due to the demands of his touring schedule. It was at this point of his life he was introduced to the uppers to get him through the performances and the downers to sleep.The big question is would Elvis have become "The King" without the guidance of the business savvy and not so caring Colonel? And was it worth it? The extreme fame, the reclusive lifestyle, and the drug use eventually costs Elvis his life.
Great topic. Colonel Tom was a piece of #$@%; Presley was a gift. And thank you for reminding us that Presley's sound was black. I recently bought his complete gospel recordings and there was at least one denial of that fact in the liner notes. When I read that garbage I thought of Sam Phillips' famous quote - "If I could find a white man who sounds black I'd be a billionaire" - and Elvis running home from school to hear Sister Rosetta Tharpe on the radio. Black and white American music have been tied together for a long time. – Tigey8 years ago
Bruegel the Elder's painting depicts the famous passage from Book VIII of Ovid's Metamorphoses in which Daedalus, the father of Icarus, provides his son with feathered wings, glued together, and warns him not to fly to close to the sun, for he will be burned, and not to fly to close to the water, for he will drown. The boy does not listen; flies too high; the glue begins to melt; and he plummets to the water in which he drowns. The moral can be understood as moderation as the key to living a successful and fruitful life. What I am most interested in is why does Bruegel paint an interpretation of this famous passage; yet, as opposed to placing Icarus in the foreground, Icarus is placed off to the side. Why concentrate on this Greek Myth but place the workers of the present day (~1560) in the foreground, and the classical mythological component, whom the painting is based on, off to the side? What is Bruegel the Elder trying to convey? The painting can easily be found with a basic search of the title. What do you believe was the theme Pieter Bruegel's aesthetic piece was attempting to communicate to onlookers?
My title was completely re-worked by one of the editors, I guess? It was supposed to be Icarus as depicted in Ovid, and Pieter Bruegel the Elder's "Landscape with the Fall of Icarus," (~1560) {Worded much more eloquently than that, but when reading the topic, you get the gist of the idea :-)} – danielle5778 years ago
Hamilton has become THE hit show on Broadway since its debut last summer. Examine the reasons – both obvious and not – for the sweeping sensation this show has had on American consciousness, why it has succeeded as a hit over other Broadway shows, and what that says about American theater today.
Hamilton looks like a fascinating musical. I would love to read the input an author may have on it! – enizzari8 years ago
As someone with a mild obsession with the show, I can't say enough about how much this musical has got me interested in history. For the majority of my school years, history was presented as a passionless, textbook driven subject based on memorization and regurgitation of information (that was heavily edited and condensed). I think one of the real strengths of Hamilton is the way it really fleshes out the characters (particularly Hamilton, Eliza, and Burr), to the point that I have done independent research and tried to learn more about these people and their lives, outside of the few events passingly mentioned in school history books. – chrischan8 years ago
Yes, definitely write about it! Make sure you add how it reflects American values. – vpano948 years ago
Some obvious reasons: there's a lack of representation of racial minorities in Broadway. This show proved to critics that (yes) actors and actresses of color should be placed in the center of shows, and they're profitable (some critics said casting people of color would affect ticketing); people of color can be placed in any show and shine. Another reason is that Lin-Manuel Miranda is good at what he does; there's a lot going on in Hamilton's lyrics (e.g. rhythm, puns). Also, like others have said, Hamilton puts an interesting twist on American history by getting a personal look at one of our Founding Fathers. – seouljustice8 years ago